Do Away with the Damage on Photos Using Adobe Photoshop

April 27th, 2008 by Don

Before you begin fixing a photo, it is important to first diagnose the problem. Once you know what is wrong, you will be able to choose the best way to improve the photo. When there are several improvements that need to be made. First, you will need to determine which ones you are going to do first. If you commit to some improvements, you will not be able to go back and do others. Some improvements must be done last because they cannot be changed, while others are strictly done initially to lay a foundation for other improvements.

Do you have a ton of old, memorable but damaged photos that you just cannot bare to part with? The one of your first born the day she came home. Or the dated picture from your high school graduation with the friends you only see once or twice a year. Memories and photos that you want to always have somewhere nearby so you can look at them to remind you of what use to be. We all have those types of photos somewhere. They might be in a chest in the attic of sitting in a frame on your nightstand. Wherever they are, pull them out and bring them back to life by restoring them with Photoshop.

First, you need to remember that restoring a photo will take a while if you want to do a very good job of it. If you are dealing with a severely scratched photo, use the Soft Healing brush and go over each scratch individually until they are all gone. If you are not very patient, you might want to use the Dust and Scratches filter to fix your photo. This will do an adequate job. You can use the Dust and Scratches filter to get rid of the smaller damaged areas.

While you are using the Dust and Scratches filter, be sure to keep the radius at a minimum level and change the threshold to achieve the best balance between what the blurring and the fix will create in the image and the amount of the fix. If you fix blemishes this way, you will soften the image so you will either fix it, or make the photo a little less natural.

If you have to sharpen and crop an image, you will want to do everything else you plan to do before you sharpen it to avoid destroying the image data. If you are cloning elements from an image or restoring any missing pieces and adjusting levels to make the image tone better, do these things first. The Shadow/Highlight tool restores data from over or under exposed photos by pulling details from the shadows or blurred highlights. This should be done early in the restoration process. If your photo is suffering from color damage adjust continuously. Early adjusting will show areas that you will want to adjust later on.

Reducing noise should be done early on so you can discover the noise reduction process and soften that. However, if you are adding noise, you will want to do it later on, after any cloning or blurring has been done. Finally, a number of well-preserved photos, no matter how old they are, can be improved with Photoshop. However, you don’t need to use the Dust and Scratches filter for every picture. Avoid automatically applying these features to every image. There may be much simpler ways to improve your photos. The Dust and Scratches filters can harm your photo by softening it more than you want. So remember, while Photoshop is a magnificent program, every photo can be improved, but all photos do not need extensive work.



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Digital Photographer Tricks to Employ in Photoshop

April 20th, 2008 by Don

Photographs help capture the moments that we wish we could hold on to forever. Your weeding day is encapsulated in a collage of photos. Your daughter’s first birthday party is a gem you keep on the mantle for display. You want to be sure that these photos look as wonderful as the real events felt when they were happening. Whether you are a professional photographer or just one of those people that likes the best things in life, Adobe Photoshop has solutions for all of your photo needs.

The best thing about Photoshop software is that it is not difficult to use. The average person can use Photoshop Elements or any of the other Photoshop products to make beautiful prints without much in the way of instruction. You will have access to cutting edge technologies like Flash and your results will be breathtaking. Take full advantage of this wonderful software that you have in your possession.

If you have an image you want to enhance, you can use Vanishing Point to beef up your image. You can get outstanding results by using Vanishing Point to duplicate, paint or paste images that enhance the perspective of the elements around the photo. Extend the top of that castle you snapped a shot of when you were in England that got cut off by tree branches. Replace the elements of photos that are missing, such as old, historic family photos or damaged prints.

There are a few things you can do to adjust color or the presentation of your images in pictures that can make your photographs appear more professional. You can create near perfect prints using TIFF. If you want to edit your digital photos alter in Photoshop, save them in Tagged Image File Format. This will hold your image quality. Click on File and Save As in your image-editing program. You can find TIFF in the drop down list menu.

If your photos just aren’t crisp enough, you can use a sharpening tool to jazz them up. Another way to sharpen your photos is to use the image editor’s sharpen tool to sharpen up the sides of elements in your photos. You can use the Unsharpen Mask or Sharpen but be careful with them. They cause your image to be grainy or distorted. If you want to put more emphasis on your subject you ca soften the background. To do this you need to choose the whole subject with the image editor’s magic wand.

The problem with your pictures could be not the pictures themselves, but the background on which you are viewing them. Check your monitor to see if that is where the problem lies. To calibrate your monitor you need to first figure out if it is the white or black point. If the patches marked 95 and 100 look like they are the same, you need to adjust the monitor white point. If the patches marked 0 and 10 in the gray scale are very similar, you need to adjust the monitor black point.

Pixels are also very important when you want to obtain the clearest picture possible. The more pixels you have the better quality of the photo. For instance, if you have 100 pixels you will have okay picture that are somewhat mediocre. If you have 150 pixels you will have adequate but not optimum prints. Once you reach 200 pixels you will be able to produce excellent prints that are of great quality. 300 pixels will give you outstanding photos that will impress all that see them. Of course, anything with 300 pixels is going to cost you little bit of money.



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Defining the RAW File Format

April 13th, 2008 by Don

Digital photos are so popular these days! Photography has taken on new identity with the digital revolution. If you are eager to get your hands on some software that can improve your photos even more, then the Raw file format may be just what you are looking for.

If you handle a lot of the more recent digital cameras, you have probably seen the Raw option on your file format. For those of you that are capitalizing the three letters, you can stop now because unlike JPEG or TIFF, Raw is not an acronym. It is capitalized in the title of this piece simply to attract the attention of those that know it as such. What it is instead is the raw image data that the sensor receives and digitizes inside of the microprocessor of the camera. You must have image processing software to see the raw image, in addition to the less sophisticated versions of some image processing programs. The Raw software turns the Raw image file format into an image that shows up on the screen and let’s you save it to another format besides Raw.

Once the Raw file is downloaded to your computer, the file formats are uncompressed, like Tiffs but the Raw file format offers more information than you would get in the JPEG file. All JPEG files are compressed so even if it is Fine or Super Fine or whatever is the lowest compression JPEG file the information is written to your memory card. After the information goes away and the image is opened, it is reconstructed with algorithms or what the thrown out pixels favor. Once the information is gone, it cannot be retrieved so if you are dealing with images that have a lot of delicate details, there might be some loss of subtle tonal gradations.

Raw is a great file format for purists, but it also can be useful to the average Joe. If you want to get the most out of your images, Raw is the way to go. If you are wondering why you can’t just shoot TIFF’s since they are non-compressed file format, instead of Raw without losing information, you can. However, you can shoot with a high-resolution digital camera and lose 24MB plus per exposure, your memory care will be just about full. So even if you have a 1GB card, the space will be just about gone. If you go with Raw format file, it will take up 50-60% less space on your card and hard drive. That means that you will have more shots per card and you can save money. Your image processing will be deferred when you use Raw files until you have the image into the Raw converter software on your computer. This occurs because, while you are using your camera there is less processing inside of your digital camera.

Even though these are all great reasons to use Raw file format, the real benefits come when you have the Raw image in the computer. Once you open the Raw converter software, you will see a raft of options that allow you to balance image and the exposure compensation controls the way that you set them when you are photographing. You will be able to define resolution for printing and changed between color spaces and noise filters. The Raw file format can open up a wealth of photographic experiences. Using the Raw file format is kind of like developing your own film.

The Raw file format is a wonderful way to get the most out of the photos. If you are skeptical, give it a chance and see what you think. You will be surprised by results.



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Creating and Saving Layer Comps in Photoshop

April 6th, 2008 by Don

Creating and saving layer comps in Photoshop is not as difficult as most consumers may think. Layer comps have been said to be one of the greatest inventions in the digital world. If you’re creating several designs, the design variations can be saved using different combinations of layers within the same file as layer comps. Layer comps can record whether the layer is visible, how the layer is positioned in an image, the opacity and blending mode of the layer, and whether a layer style is applied to the layer. Creating a layer comp is simple, even for the inexperienced Photoshop user. New layer comps are created in the layer comps palette and to create a new layer comp, users must first click the Create New Layer Comp button at the bottom of the palette. The layer comp palette can be accessed from the window menu.

Once the new layer comp is created, it must be named. The new layer comp created in the layer comps palette will contain a dialog box, which allows the user to name the comp, add descriptive comments, and choose options to apply to the layers. Once the new layer comp is named the visibility, position, and appearance controls should be set. Once the settings are intact, then the user should click “OK”, and try moving around a few layers, or should try to change the opacity of an existing layer. When moving existing layers users will notice that the layer comps palette returns to the Last Document State. If the user wants to record a new comp that shows the changes they’ve made to the existing layer comps, then they should click the Create New Layer Comp button at the bottom of the Layers Comp palette.



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To apply a layer comp, click the Layer Comp icon next to the layer comp currently on the screen. Clicking the name of a specific layer comp selects it, and clicking to the left of the comp applies it to the palette. Cycling through the layer comps is as simple as clicking the Previous and Next buttons at the bottom of the layer comps palette. If the user wants to view specific selected layer comps, they must select the specific comps in the layer comps palette, then click the Next and Previous buttons at the bottom of the palette. Making changers to a comp requires users to first select the comp layer, then make the necessary changes, and then click the Update Layer Comp button at the bottom of the comps palette. There are several ways to save layer comps. Users may save layer comps on Photoshop as a PDF Slide Show by choosing File> Scripts> Layer Comps to PDF.

Saving the layer comps as a PDF file also allows users to share their comments on the comps with others as well. Viewers of the layer comps may also switch between design variations and add their own comments. Comps may also be saved as a Web Photo Gallery (WPG); to save layer comps as a WPG file requires the user to choose File> Scripts> Layer Comps to WPG. With a Web Page Gallery layer comps can be posted to a website. When your document is saved, the layer comps are automatically saved as a part of the document. Saving a layer comp. in Photoshop is as simple as clicking in the Save New Layer Comp button, which allow the user to name and save their current view of layer visibility and editing state as a layer comp. The user can make as many layer comps as possible without substantially expanding their saved file size. A layer comp can also be recalled instantly with one click. The instant recall function notes your viewing state, never trashes layers, and is saved to your file. For example, instead of having to save different versions of each viewing of the layers, users can save one file with all of the different layer comp views.

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